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"There are just all these tensions that are fighting each other, like between the modern woman and the sort of antiquated tradition that manifests itself in the big dress," says Rutledge, currently based in Seattle, later adding: "I hope the work encourages people to ask bigger questions about gender and race, particularly in the context of our national conversations on issues like the #MeToo movement and removal of Civil War monuments." You can see more of Adair Rutledge's work here or follow her on Instagram @adairrutledge